la rue lepic

uma feira. temos manga abacaxi egon schiele tarsila do amaral pitanga amoras kiwi portinari vivian maier adriana varejão e bananas.

October 21, 2012 at 10:39am
17 notes
Reblogged from gabeat
gabeat:

Tumblr on We Heart It. http://weheartit.com/entry/37308174

gabeat:

Tumblr on We Heart It. http://weheartit.com/entry/37308174

June 25, 2012 at 10:42pm
39 notes
Reblogged from artistswanted
artistswanted:

Art Takes Times Square Premium Entrant - Clotilde Anne-Marie Friedmann!

artistswanted:

Art Takes Times Square Premium Entrant - Clotilde Anne-Marie Friedmann!

10:42pm
43 notes
Reblogged from blackcurator
blackcurator:

Jeffrey In Jeans (2010) Marcella Hayes Muhammad 

blackcurator:

Jeffrey In Jeans (2010) Marcella Hayes Muhammad 

(via blackcontemporaryart)

10:42pm
363 notes
Reblogged from olheosmuros
olheosmuros:

Rio Grande, Rio Grande do Sul

olheosmuros:

Rio Grande, Rio Grande do Sul

10:42pm
43 notes
Reblogged from artistswanted
artistswanted:

Art Takes Times Square Premium Entrant - Lauren Withrow!

artistswanted:

Art Takes Times Square Premium Entrant - Lauren Withrow!

10:42pm
25 notes
Reblogged from artistswanted
artistswanted:

Art Takes Times Square Premium Entrant - Chris Bartick!

artistswanted:

Art Takes Times Square Premium Entrant - Chris Bartick!

10:41pm
25 notes
Reblogged from artistswanted
artistswanted:

Today’s Featured One Life 2012 Entrant - Mercedes Jelinek! Neighborhood Photo Booth Project http://bit.ly/KzvSRJ

artistswanted:

Today’s Featured One Life 2012 Entrant - Mercedes Jelinek! Neighborhood Photo Booth Project http://bit.ly/KzvSRJ

10:41pm
140 notes
Reblogged from deadpaint
deadpaint:

Ernst Ludwig Kirchner, Berlin Street Scene

deadpaint:

Ernst Ludwig Kirchner, Berlin Street Scene

10:41pm
5,082 notes
Reblogged from rebeccamock
drawnblog:

rebeccamock:

Been working on personal projects lately! Here’s a digital painting I did today. :>
A self-portrait in windows and corners. Thinking about Tacita Dean’s piece called “More or Less”, which I saw last night at the New Museum.

Rebecca Mock!!! Three exclamation marks!
My eye wants to take in every wonderful thing in this quiet frozen moment in time: the textures, the soft changes in colour and tone, the map on the wall, that little photo, the bedspread, everything. I want to walk on that smooth polished floor, explore the rest of this little apartment, crane my neck into the next room so I can peek out that window. This is entirely due to Rebecca’s command of light and colour and composition.
A lot of artists think style is the most important thing to good art, but it isn’t. Style is a by-product, and tends to change multiple times over the course of your career. Style can be faked, copied, especially with the tech at our disposal today. 
But you can’t fake light and colour and composition. You either understand them or you don’t. They’re deliberate and planned, yet used poorly can result in pieces that are uptight and lifeless and cold. It can take years for most of us to get a decent grasp of them, even a lifetime. But they eventually become like tools in your kit, like your brushes and pens and paint. And when you know how to master them, you can create little worlds that seem so alive your audience will wish they could walk into them. 

drawnblog:

rebeccamock:

Been working on personal projects lately! Here’s a digital painting I did today. :>

A self-portrait in windows and corners. Thinking about Tacita Dean’s piece called “More or Less”, which I saw last night at the New Museum.

Rebecca Mock!!! Three exclamation marks!

My eye wants to take in every wonderful thing in this quiet frozen moment in time: the textures, the soft changes in colour and tone, the map on the wall, that little photo, the bedspread, everything. I want to walk on that smooth polished floor, explore the rest of this little apartment, crane my neck into the next room so I can peek out that window. This is entirely due to Rebecca’s command of light and colour and composition.

A lot of artists think style is the most important thing to good art, but it isn’t. Style is a by-product, and tends to change multiple times over the course of your career. Style can be faked, copied, especially with the tech at our disposal today. 

But you can’t fake light and colour and composition. You either understand them or you don’t. They’re deliberate and planned, yet used poorly can result in pieces that are uptight and lifeless and cold. It can take years for most of us to get a decent grasp of them, even a lifetime. But they eventually become like tools in your kit, like your brushes and pens and paint. And when you know how to master them, you can create little worlds that seem so alive your audience will wish they could walk into them. 

June 24, 2012 at 1:44pm
48 notes
Reblogged from necspenecmetu
necspenecmetu:

Bartolomeo Cesi, Two Men in Florence Kissing, 1600

necspenecmetu:

Bartolomeo Cesi, Two Men in Florence Kissing, 1600